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IFF Directors Talks

IFF Directors Talks 2012
IFF Directors Talks 2011
IFF Directors Talks 2010
IFF Directors Talks 2009


Previous IFF Lectures

Exhibition Opening and Fractal Unveiling
Doheny Library, University of Southern California
Thursday, September 20, 2012 @ 57pm

A Lecture by Ryan and Trevor Oakes
Sat. September 22, 2012 @ 68pm

Theoretical and Practical Explorations of Space

@ Hayward Gallery, London
June 12–14, 2012

IFF Director Margaret Wertheim speaks at Art Center College of Design
June 22, 2011 @ 7pm
With Dr. Jerry Schubel, President and CEO, Aquarium of the Pacific

Captain Charles Moore Talks About Plastic Trash
[IFF-L22] Saturday Jan 17, 2009

IFF Director Margaret Wertheim
Neuroscience Discussions at the LA Public Library

[IFF-L21] October 2 + November 10, 2008

Seeing Anew [IFF-L20]
A lecture by Trevor and Ryan Oakes
at Machine Project Sunday, June 24 @ 7pm

The Logic Alphabet of Shea Zelleweger[IFF-L19]
A discussion with the IFF and Dr. Shea Zelleweger
at Foshay Masonic Lodge Saturday, March 3 @ 5pm

Structural Considerations of the Business Card Sponge[IFF-L17]
By Dr. Jeannine Mosely
Sunday, September 10 @ 8pm

The Insect Trilogy
@ Telic Arts Exchange
How Flies Fly [IFF-L14]
By Dr Michael Dickinson
The Ecology of a Termite's Gut [IFF-L15]
By Dr Jared Leadbetter
What is it Like to be a Spider? [IFF-L16]
By Dr Simon Pollard

Where the Wild Things Are 2:
A Talk About Knot Theory
By Ken Millett
at The Drawing Center in NY.

Where the Wild Things Are 2
by Ken Millett
at the University of California, Santa Barbara

Things That Think:
A hands-on history of physical computation devices.

by Nick Gessler [IFF-L12]

Where the Wild Things Are:
A Talk about Knot Theory

by Ken Millett [IFF-L11]
at The Foshay Masonic Lodge (Culver City)

Crocheting the Hyperbolic Plane:
A conversation on non-euclidean geometry and feminine handicraft

by Dr. Daina Taimina and IFF Director Margaret Wertheim [IFF-L10]

Darwinism on a Desktop:
Sodaplay and the Evolution of a Digital World

by Ed Burton [IFF-L9]

The Logic Alphabet
by Christine Wertheim [IFF-L8]

Why Things Don't Fall Down
A Talk About Tensegrities
by Robert Connelly [IFF-L7]

The Art and Science of Child’s Play

By Norman Brosterman [IFF-L6]

Crocheting the Hyperbolic Plane [IFF-L5]
A Talk by David Henderson and Daina Taimina

The Mathematics of Paper Folding [IFF-L4]
by Robert Lang

The Physics of Snowflakes [IFF-L3]
by Kenneth Libbrecht

Crocheting the Hyperbolic Plane [IFF-L2]
by Daina Taimina and David Henderson

The Figure That Stands Behind Figures:
Mosaics Of The Mind
by Robert Kaplan


Previous Events

Crochet Hyperbolic Workshop
Proteus Gowanus gallery, Brooklyn, NY

Hyperbolic Crochet Workshop:
a celebration of feminine handicraft and higher geometry and a homage to the disappearing wonder of coral reefs.

at The Institute For Figuring – Special Collections

A workshop on crocheting the hyperbolic plane.
at the Velaslavasay Panorama in Los Angeles.


The Institute For Figuring
Announces a world premier event
At Machine Project

A lecture by Trevor and Ryan Oakes
Sunday, June 24 @ 7pm

Machine Project
1200 D North Alvarado
Los Angeles, CA 90026

Trevor Oakes drawing New York City on the inner surface of a sphere from the top of the Chrylser Building.


It is hard to believe there is anything new to be discovered about perspective drawing. But in 2004 twin artists Trevor and Ryan Oakes made a startling discovery about how to render perspectival images on the inner surface on a sphere. Their discovery is all the more intriguing in the light of recent controversy surrounding David Hockney's thesis about the use of spherical lenses in the making of perspective drawings in the fifteenth and sixteenth centuries.

In their first public talk the Oakes will discuss their perspectival researches and demonstrate their unique spherical rendering technique using a specially designed stand and an innovative concept of "concave paper". The lecture will include an historical account of other optical tools used to depict three-dimensional space - including the concave mirror-lens, the camera obscura, and the camera lucida. These prior techniques all involved optical equipment that in some sense controlled or bent the flow of light; the Oakes' method uses only pen and paper - but here it is the paper rather than the light that is bent.

Trevor and Ryan Oakes are visual artists in New York City. Their work is characterized by an in-depth investigation of light, vision, and the interplay between the visual cortex and the human retina . Ryan and Trevor graduated from The Cooper Union School of Art in 2004.

Spherical dish drawing of New York City on concave paper, by Trevor and Ryan Oakes. Photos courtesy of the artists.