Hyperbolic crochet coral reef

- About the Crochet Coral Reef
- History of the Coral Reef
- Crochet Reef and Global Warming
- Crochet Reef and Hyperbolic Space
- Crochet Reef and Evolution
- The Great Pacific Garbage Patch
- Plastic Trash and the IFF Midden
- Crocheting Plastic and the Toxic Reef
- The Bleached Reef
- Contributors

- Crochet Reef Workshops and Lectures

 

Crochet Reef Exhbitions

- Exhibition Schedule
- Exhibition Guidelines
- Report On Crochet Reef Showing in Scottsdale, AZ
- Crochet Reef Showing in Scottsdale, AZ
- Crochet Reef Showing in Los Angeles
- Report on Crochet Reef Exhibition in Los Angeles
- New York and Chicago Reefs in Staten Island
- Plastic Exploding Inevitable Reef in San Francisco
- Crochet Reef Showing in London at the Hayward
- Report On The Crochet Reef in London
- Crochet Reef Symposium at Southbank Center
- New York Exhibitions - Now Showing
- New York Broadway Windows Photos [IFF-G21]
- New York Winter Garden Photos [IFF-G21]
- Chicago Cultural Center Exhibition
- Chicago Exhibition Main Photos [IFF-G18]
- Chicago Exhibition Toxic Reef Photos [IFF-G19]
- Chicago Exhibition Chicago Reef Photos [IFF-G20]
- The Andy Warhol Museum Exhibition [IFF-G11]
- Track 16 Exhibition [IFF-G12]

 

Satellite Reefs

- Introduction
- The Chicago Reef
- The New York Reef
- The UK Reef
- The Scottsdale Reef
- The Sydney Reef
- The Latvian Reef
- Scarsdale Middle School Reef
- The Latvian School Reef



Crochet reef contributors


- Ernst Haeckel, Patron Saint
- Daina Taimina, Inventor of Hyperbolic Crochet
- Christine Wertheim, Crochet Reef Co-Creator
- Margaret Wertheim, Crochet Reef Co-Creator
- Barbara Wertheim, Our Mother
- Evelyn Hardin
- Sarah Simons
- Ildiko Szabo
- Kathleen Greco
- Dr. Axt's Reefer Madness
- Aviva Alter
- Sue Von Ohlsen
- Nadia Severns
- Helle Jorgensen
- Inga Hamilton
- Helen Bernasconi
- Rebecca Peapples
- Marianne Midelburg
- Eleanor Kent
- Anita Bruce
- Clare O'Callaghan
- Arlene Mintzer
- Alicia Escott

- Other Crochet Reefs

OTHER WEB RESOURCES

- Crochet Reef Press Archive
- Crochet Reef Bulletins Archive

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About the Crochet Coral ReEF PROJECT

The Institute For Figuring is crocheting a coral reef: a woolly celebration of the intersection of higher geometry and feminine handicraft, and a testimony to the disappearing wonders of the marine world.

Created and curated by IFF directors:
Christine Wertheim and Margaret Wertheim

"Crochet Coral and Anemone Garden" with sea slug by Marianne Midelburg.
Photos © The IFF by Alyssa Gorelick.

One of the acknowledged wonders of the natural world, the Great Barrier Reef stretches along the coast of Queensland like a psychadelic serpent, a riotous profusion of color and form unparalleled on our planet. But global warming and pollutants so threaten this fragile monster that scientists now believe the reef will be devastated in coming years. As a homage to the Great One, IFF directors Margaret and Christine Wertheim instigated a project to crochet a woolen reef. The sisters, who grew up in Queensand, have been spearheading the project since 2005, quiety watching as it has morphed into an unexpected and far-reaching wordwide movement.

The Reef begins with the technique of hyperbolic crochet discovered by mathematician Dr. Daina Taimina, which the Institute has taken up and elaborated into a polyphony of organismal crochet procedures, bringing into being in a wide taxonomy of reef-life forms. Loopy "kelps", fringed "anemones", and curlicued "corals" have all been modeled. While the process that brings these models into being is algorithmic, endless permutations of the underlying formulae result in a constantly surprising panoply of shapes. The quality of yarn, style of stitch, and tightness of the crochet all affect the finished forms so that each is as individual as a living organism. As a whole, the Crochet Reef is made up of many different “sub-reefs,” each with its own colors and styling: these include the Bleached Reef, the Beaded Reef, the Branched Anemone Garden, and our largest work, The Ladies’ Silurian Atoll, a ring-shaped installation with close to 1000 individual crochet pieces made by dozens of contributors around the world. In addition to these woolen reefs is the massive Toxic Reef crocheted from yarn and plastic trash - a part of the project that responds to the escalating problem of plastic trash that is innundating our oceans and choking marine life.

Large scale anemone with brain coral head by Margaret Wertheim.

Each crochet model results from the application of an iterative recipe. Like fractals, such as the Mandelbrot Set, these forms come into being through the process of doing a small set of steps again and again and again. Though experience often serves as a guide, there is no way to know in advance what a specific algorithm will produce and we have many times been surprised when seemingly insignificant changes in the underlying pattern led to fundamentally new results. In a very real sense, this is a kind of experimental mathematics and we invite crocheters everywhere to explore for themselves the possibilities inherent in these techniques.

More information about these techniques and instructons for making specific forms are given in the IFF's extensive Onine Exhibit about Hyperboic Crochet. We encourage beginners to expore this Exhibit, which also explains the concept of hyperbolic space.

This information is also available in a beautifully produced handbook published by the Institute called A Field Guide to Hyperboic Space, which may be purchased here: A Field Guide to Hyperbolic Space.

Orange brain coral with urchins.
Getting started on your own hyperbolic models is easy. The basic insight is to understand that these forms result from the simple process of increasing the number of stitches in every row. The more often you increase stitches the faster the model will grow and the more crenellated the finished form will become. Models can begin with a simple line, resulting in a hyperbolic plane; or from a single point with the crochet spiraling around to gradually fan out like a cone, resulting in what is known as a pseudosphere. You may also begin from a circle, which will produce tubular, bell shaped, or trumpeted configurations. Once you start to experiment, the variety is endless and we recommend that beginners study our Introductory Gallery for helpful tips.
Crochet coral and anemone garden.

As you explore, be playful. Don’t worry about sticking too closely to the formal rules, though it’s interesting and important to understand what the rules do. Try things out for fun. Experiment with different types of yarn. Try mixing yarns together, say a thick worsted and a fine mohair, or a silk and a cotton thread. Try varying the rate of increasing in a single model. Consider using string, wire, and plastic, or anything else that takes your fancy. Try felting – throw the finished model in a washing machine with hot water and let it churn for half an hour. This only works with pure wool (acrylics and cotton won't felt) but the results are wonderfu!

We encourage you all to be inventive - in the end the only overriding rule of the Crochet Reef project is that there are no rules that can't be broken. Just as living organisms continually evolve and morph into new forms, so too there is an endless taxonomy of crochet reef forms awaiting to be.